Trusted, Automoderated users
25,837
edits
Line 16: | Line 16: | ||
William's granddaughter, Queen Eleanor (the Duchess of Aquitaine; queen of France and later England ) was, as the regnant duchess of Aquitaine, likely the wealthiest and most powerful woman in Europe.<ref>https://en.wikisource.org/wiki/1911_Encyclop%C3%A6dia_Britannica/Eleanor_of_Aquitaine</ref> She set up imperial courts comprised solely of ladies to judge over matters of love-disputes. These were called the, ''Courts of Love''. They was modeled after feudal courts. She did this with help from her daughter, Marie. | William's granddaughter, Queen Eleanor (the Duchess of Aquitaine; queen of France and later England ) was, as the regnant duchess of Aquitaine, likely the wealthiest and most powerful woman in Europe.<ref>https://en.wikisource.org/wiki/1911_Encyclop%C3%A6dia_Britannica/Eleanor_of_Aquitaine</ref> She set up imperial courts comprised solely of ladies to judge over matters of love-disputes. These were called the, ''Courts of Love''. They was modeled after feudal courts. She did this with help from her daughter, Marie. | ||
=== | ===Marie=== | ||
Marie directs her chaplain Andreas Capellanus (André the chaplain) to write, "The Art of Courtly Love", which was mainly a parody<ref>http://cola.calpoly.edu/~dschwart/engl513/courtly/courtly.htm</ref> of established, fairly neutral chivalric codes. Although, Andreas painted peasants as fornicating beasts that are uncapable of love, and recommends that a knight who falls in love with a peasant woman should lure her to a quiet place with honeyed words and "[should] not hesitate to take what you want by force."<ref>http://www.people.fas.harvard.edu/~chaucer/special/authors/andreas/de_amore.html</ref> | |||
===Stories=== | |||
According to Jennifer Wollock, an author on chivalry, chivalrous love stories became popular in the late Middle Ages, and showed particularly through the contents of women's libraries. | According to Jennifer Wollock, an author on chivalry, chivalrous love stories became popular in the late Middle Ages, and showed particularly through the contents of women's libraries. | ||