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"'''Creep'''" is a chapter in the book, '''''Blueprint for a Higher Civilization''''', written in 1975 by [[Henry Flynt]], an anti-establishment artist and composer, regarding his experiences with [[women]]. It contains one of the most detailed description of involuntary celibacy in the 20th century actually using the term, 'involuntary celibacy' verbatim before it was [[cool]]. Flynt highlights the relation between adult inceldom and [[creepiness]]. It is reproduced below with the phrase bolded. | "'''Creep'''" is a chapter in the book, '''''Blueprint for a Higher Civilization''''', written in 1975 by [[Henry Flynt]], an anti-establishment artist and composer, regarding his experiences with [[women]]. It contains one of the most detailed description of involuntary celibacy in the 20th century actually using the term, 'involuntary celibacy' verbatim before it was [[cool]]. Flynt highlights the relation between adult inceldom and [[creepiness]]. It is reproduced below with the phrase bolded. | ||
== Text == | |||
{{Quote|"When Helen Lefkowitz said I was "such a [[creep]]" at Interlochen in 1956, her remark epitomized the feeling that females have always had about me. My attempts to understand why females rejected me and to decide what to do about it resulted in years of confusion. In 1961-1962, I tried to develop a theory of the creep problem. This theory took '''involuntary celibacy''' as the defining characteristic of the creep. Every society has its image of the ideal young adult, even though the symbols of growing up change from generation to generation. The creep is an '''involuntary celibate''' because he fails to develop the surface traits of adulthood--poise and sophistication; and because he is [[shy]], unassertive, and lacks self-confidence in the presence of others . The creep is awkward and has an unstylish appearance. He seems sexless and [[Neoteny|childish]]. He is regarded by the ideal adults with condescending scorn, amusement, or pity. | {{Quote|"When Helen Lefkowitz said I was "such a [[creep]]" at Interlochen in 1956, her remark epitomized the feeling that females have always had about me. My attempts to understand why females rejected me and to decide what to do about it resulted in years of confusion. In 1961-1962, I tried to develop a theory of the creep problem. This theory took '''involuntary celibacy''' as the defining characteristic of the creep. Every society has its image of the ideal young adult, even though the symbols of growing up change from generation to generation. The creep is an '''involuntary celibate''' because he fails to develop the surface traits of adulthood--poise and sophistication; and because he is [[shy]], unassertive, and lacks self-confidence in the presence of others . The creep is awkward and has an unstylish appearance. He seems sexless and [[Neoteny|childish]]. He is regarded by the ideal adults with condescending scorn, amusement, or pity. | ||
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<youtube>https://www.youtube.com/watch?v=7V_5KlVFfUY</youtube> | <youtube>https://www.youtube.com/watch?v=7V_5KlVFfUY</youtube> | ||
==See also== | ==See also== | ||
*[http://www.vasulka.org/archive/Artists2/Flint/Blueprint.pdf Vasulka PDF] or [https://web.archive.org/web/20050225192008/http://www.vasulka.org/archive/Artists2/Flint/Blueprint.pdf 2005 archive] | *[http://www.vasulka.org/archive/Artists2/Flint/Blueprint.pdf Vasulka PDF] or [https://web.archive.org/web/20050225192008/http://www.vasulka.org/archive/Artists2/Flint/Blueprint.pdf 2005 archive] | ||
{{History}} | {{History}} | ||
[[Category:Books]] | [[Category:Books]] | ||