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==Symbolism==
==Symbolism==
[[File:Choi.jpg|thumb|right|200px|Choi is a bluepilled character in the film]]
The appeal behind the extracting such symbolism from the 1999 film The Matrix within inceldom lies in the fact that comparable parallels can be drawn with the situation faced by omega or beta males. Similar to how computer hacker Neo is portrayed as a loner, most omega males have a similar introvertedness. The way in which Neo later teams up with other redpilled resistance fighters who presumably also started out as loner computer nerds is similarly cognate with portrayal of modern stereotypes of the cybercel. Similarly to how modern incels almost exclusively communicate with one another online, the unplugged in the Matrix also communicate with one another exclusively through telecommunications devices. The opening scene wherein Trinity expresses consternation at her phone line being traced is similar to how many modern permavirgins fear being outed as incompetent at romance. The recurring scenes wherein the anti-AI resistance is beset by AI bears similarity to how romantically inexperienced men are bullied or mocked with terms such as "virgin" or "frigid" or the teratophobia, lookism and cacophobia faced by ugly people. The scene wherein the unplugged visit the all-knowing Oracle is similar to how involuntary celibates often seek the counsel of online vloggers. Neo's failures in the various physics-defying training constructs and sparring programs with Morpheus hint suggestively at the way many undateables frequently fail to ascend from inceldom after appointments with dating coaches. The interrogation scene where agent Smith seals the lips of Neo is similar to how modern society frequently gestures that incels should stop whining about loneliness at worst, or at best is apathetic about it. The bland look on Neo's face whilst working his nine-to-five job at the office for a software company is akin to how single male tax-payers often feel finessed at having to pay for the bastard children of promiscuous single mothers. The Spoon Boy is a pretween redpiller who lived with the Oracle; his wunderkind abilities bears resemblance to how several members of the incelosphere claim to have been blackpilled about their omega nature from a young age; even before attempting to date. The flirtatiousness of the Woman in the Red Dress scene and her sudden transformation into a simulated agent parallels the real-life dangers of attempting to pursue one's [[oneitis]]. The emotional reunion of Neo and Morpheus whilst jumping off a helicopter and skyscraper respectively, resembles how loveshy loners sometimes attempt to console one another online. The nonchalant conversation in the opening scene between agent Smith and a plugged-in/bluepilled police officer who is unaware that he's actually speaking to an AI agent whilst being an organic POW is similar to how the modern average Joe seem to be inattentive about the extent to which they are brainwashed by MSM. Neo's attempt to exit the car and go back to his bluepilled life after refusing Trinity's attempt to remove the robotic bug probe from his abdomen resembles how many real-life blackpillers attempt to return to being a normie. Neo's transformation from a fugitive running for his life, to a superhuman who can dodge bullets, is consonant to the fact that despite how thirsty virgins are viewed by society as pathetic, sexless virgins are sometimes proficient and valuable members of society. The deja-vu during the black cat scene can evoke reminiscence to the repetitiveness and familiarity of being friendzoned for the typical [[truecel]]. The scene where agent Smith destroys a telephone booth using a truck is similar to attempts by SJW activist to deplatform incel websites.
The appeal behind the extracting such symbolism from the 1999 film The Matrix within inceldom lies in the fact that comparable parallels can be drawn with the situation faced by omega or beta males. Similar to how computer hacker Neo is portrayed as a loner, most omega males have a similar introvertedness. The way in which Neo later teams up with other redpilled resistance fighters who presumably also started out as loner computer nerds is similarly cognate with portrayal of modern stereotypes of the cybercel. Similarly to how modern incels almost exclusively communicate with one another online, the unplugged in the Matrix also communicate with one another exclusively through telecommunications devices. The opening scene wherein Trinity expresses consternation at her phone line being traced is similar to how many modern permavirgins fear being outed as incompetent at romance. The recurring scenes wherein the anti-AI resistance is beset by AI bears similarity to how romantically inexperienced men are bullied or mocked with terms such as "virgin" or "frigid" or the teratophobia, lookism and cacophobia faced by ugly people. The scene wherein the unplugged visit the all-knowing Oracle is similar to how involuntary celibates often seek the counsel of online vloggers. Neo's failures in the various physics-defying training constructs and sparring programs with Morpheus hint suggestively at the way many undateables frequently fail to ascend from inceldom after appointments with dating coaches. The interrogation scene where agent Smith seals the lips of Neo is similar to how modern society frequently gestures that incels should stop whining about loneliness at worst, or at best is apathetic about it. The bland look on Neo's face whilst working his nine-to-five job at the office for a software company is akin to how single male tax-payers often feel finessed at having to pay for the bastard children of promiscuous single mothers. The Spoon Boy is a pretween redpiller who lived with the Oracle; his wunderkind abilities bears resemblance to how several members of the incelosphere claim to have been blackpilled about their omega nature from a young age; even before attempting to date. The flirtatiousness of the Woman in the Red Dress scene and her sudden transformation into a simulated agent parallels the real-life dangers of attempting to pursue one's [[oneitis]]. The emotional reunion of Neo and Morpheus whilst jumping off a helicopter and skyscraper respectively, resembles how loveshy loners sometimes attempt to console one another online. The nonchalant conversation in the opening scene between agent Smith and a plugged-in/bluepilled police officer who is unaware that he's actually speaking to an AI agent whilst being an organic POW is similar to how the modern average Joe seem to be inattentive about the extent to which they are brainwashed by MSM. Neo's attempt to exit the car and go back to his bluepilled life after refusing Trinity's attempt to remove the robotic bug probe from his abdomen resembles how many real-life blackpillers attempt to return to being a normie. Neo's transformation from a fugitive running for his life, to a superhuman who can dodge bullets, is consonant to the fact that despite how thirsty virgins are viewed by society as pathetic, sexless virgins are sometimes proficient and valuable members of society. The deja-vu during the black cat scene can evoke reminiscence to the repetitiveness and familiarity of being friendzoned for the typical [[truecel]]. The scene where agent Smith destroys a telephone booth using a truck is similar to attempts by SJW activist to deplatform incel websites.


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